What it Means to Mow by G. Arthur Brown

The eyes of Balkan Sam, carrier lunatic, were duple. What this means for future generations is still uncertain, but binocular vision was a particular skill of his. A few people admired and wrote about that. But I’m not one of them. I just mowed his lawn.

I mowed his lawn enough times to really get good at it, and he paid me in lengths of velvet ripped from the robes of long dead chamberlains. Balkan Sam, he’s the left side of heaven, my dad used to inscribe on vans.

I think it was already August. I was mowing and not just for vanity’s sake, but to protect the innocent from the armadas of dangerous tick terror cells that were rumored to be spider-holed betwixt blades of too-long grass hidden in respectable lawns owned by crazy men like Balkan Sam.  Being a hot summer, he brought me a glass of poison lemonade. I didn’t drink it, of course, because I’m not a fucking moron. But I thanked him and I continued my mow.

Mowing is a manly art. Man against Nature in the most primal form you can find in contemporary society. It is man with a large mechanical tool telling nature how to behave, what to look like. The mower I use is a riding mower, but it’s not a tractor. It’s the kind that drives like a tank, the kind that can do a 360-degree rotation. I’m at war with these weeds. And Balkan Sam can see that, so he brings me a lemon-grenade, but I’m not a fucking moron and I know it’s poisonous, so I don’t pull the pin and throw it to blow up the tiny arachnid enemy, who may or may not be couched tentatively under a leaf of clover, waiting to suckle the capillaries of some unsuspecting dachshund who certainly doesn’t belong on Balkan Sam’s lawn, but who tends to end up there when his owner has had far too much mead at the Renaissance Faire. 

It’s like hunting. There is a part of the male mind that needs to sit in silence and fight nature, destroying something living, or at least cutting large bits of a living thing away and leaving them to shrivel and die in the sun. Plants have a whole different kind of existence than do animals. It’s hard to say when they are alive and when they are dead, when they are the parent and when they are the offspring. Balkan Sam comes out and cuts off one of my fingers. He wants to create a rhizome that will grow new hunter-mowers, and you can sell that kind of shit on eBay now.  I’m not a fucking moron, so I don’t care that he cut my finger off because that was my poison finger and I’m not a fucking moron. I’m an adventurer, riding into the thick of a very tiny jungle, as far as five gallons can take me.

Balkan Sam rushes back out, those two googly eyes just googling at me, and tries to fill the tank with poison gas. “Save it for the Texas chambers!” I shout over the sound of some of the best mowing the East Coast is likely to see this summer. It’s already August, I think. I should be done by Christmas. 

Copyright 2013 G. Arthur Brown

Artwork Max Ernst

The Tour(ette's) Guide by Shawn Misener

This is my sixteenth glass of orange juice, and the sixteenth glass that has shattered before I can lift it to my mouth. These dry and quivering lips have grown impatient and are threatening to spew expletives in Portuguese.

I am of course naked, my skin sticky sweet and matted with pulp. The walls are on fire, as they should be, my frustration turning dragon. There is a woman in here- I am never alone- but she is fully clothed in Detroit Derby Dolls gear and stands at a modest seven inches tall.

I turn to her and sigh, “Are you the one doing this to me?”

She cackles like a demon, her bellow cutting through the smoke. “Who the fuck do you think I am? That chick from The Hunger Games? Legolas? Cupid? Any old coot with a bow and arrow?”

“I think you are some kind of evil bitch, and I would appreciate it if you crawled up my ass now.”

She languidly sits at the edge of the coffee table and dangles her bruised legs in a violently playful rhythm. “Hmmm,” she muses. “Back where I came from?”

“Back where you came from,” I hiss, nodding imperceptibly.

The South wall crumbles from the flames, thousands of neon embers billowing up and settling into constellations above us. I find myself standing, with a new glass of juice in one hand, the other one flailing behind me, trying to grab her. She is suddenly normal size, no bigger than that, a freakish giant, squatting behind me and working her forearm into my anus.

A disturbingly unreal scream escapes me in the form of a cacophony of cuckoo clocks chiming all at once. . . underwater. The glass again shatters and I use both hands in a poor attempt to extract her from inside me.

Her voice smashes into my earholes: “HOW FAR WE HAVE COME, HOW FAR WE CAN GO, I'M IN THIS SHIT, UP TO MY ELBOW.”

And she's in. The world feels perfect again, clean, delineated by straight lines and Febreeze.

I'm sitting on the couch, watching the fireplace and thinking that maybe this was the most symmetrical and pleasing wood stacking job I've ever accomplished. The fire seems content with its balance. The pictures of my eight children smile back at me, so evenly spaced, so full of goodness. I resist the urge to rearrange them in alphabetical order. The first week of the month is always by age, the second by melatonin concentration, the third by income, and not until next week do they line up by name.

I slowly swallow the orange juice, wishing I had a straw to protect my teeth from the acid. When I belch, it's her laughing. She wants me to check the lock on the door. She wants me to shout random words. She wants me to blink and blink and blink and blink. She wants me to execute the tic where I rub my eyebrows until they bleed.

“COCKSUCKER! TERRIFIC PIZZA! COCKSUCKER!” I yell, jumping from the couch to the rug. I know that she's satisfied, somewhere in there. She's satisfied as hell and she has a cool grip on my thalamus.

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Shawn Misener lives in Michigan.  His chapbooks include Dry Humping a Fire Hydrant and In Your Face(book), and he edits the absurdist blogazine Clutching at Straws.

Copyright Shawn Misener
Artwork by Max Ernst

His Blind Friend Daniel by G. Arthur Brown

My blind friend Daniel claws his way in the corners, as if in search of food, but he is just vetting the tile work.  I shouldn’t leave it to him; he’s blind and vetting is what I’m paid to do.  But I’ve got a jelly donut.  I didn’t tell Daniel that I had anything good to eat and he’s not exactly a blood hound.  I take a big bite and my lips smack.

Daniel’s head shoots up.  “What was that?  Are you eating?”

“No, Daniel.  I’m blowing kisses to the ghosts,” I say as I dust the confectioner’s sugar from my chin, as if he might see it, finding me out.  “Place is full of them.”

“I can feel them, too.”  He slides his greasy, gray finger tips along the grout.   An ecstatic expression squirms on his face, his hard-boiled egg eyes locked firmly on me.  “I know I am inside a ghost when I feel suddenly cooled, like an AC unit just kicked on. But it is also like you’ve been immersed in gelatin of some type.  You get the fear, like you’re going to drown.  But it happens so fast that you don’t have time to panic.  Sometimes, if you are lucky, they leave you a little bit wet.” 

“I know I am inside a ghost,” I kid him, “when I am at the nursing home.”

He nods gravely, pensively.  “Their tiles need much work.”  He brings a filthy pinky to his nose and sniffs. “A dead person ate fenugreek here.”  He utters this in such a way that I have no doubt he is correct.

It is then that I notice that the jelly is not jelly at all. It is a green fenugreek custard.  I can taste it now. It was never even sweet.  “Do old people get pudding?” I ask.

“Yes, of course they do. You know that.” He runs his fingers along the edges of the sheets, tucking me in.  It’s comforting to hear his voice.  It is so dark and cold here.

“Tell me a story.”

“You know all the stories. You invented the stories.”

“Tell me one that I have forgotten.”

He clucks his tongue.  “Do you remember the story about your blind friend Daniel?”

I shake my head.

He clears his throat. I imagine what his face must look like while he composes himself. He begins, “Your blind friend Daniel claws his way in the corners, as if in search of food, but he is just vetting the tile work.”

Copyright 2013 G. Arthur Brown
Artwork Remedios Varo

Robots Make Our Food by Shawn Misener

“This is where we suck the skin off the beasts,” remarks the General, pointing to a small white tube dangling from the ceiling. “We coat the mouthpiece with mushroom sauce, and as soon as they wrap their stinky bulbous lips around it... VROOOP! No more skin.”

He leads us over to an electrified holding pen, where several skinned beasts meander, bouncing off one another and yelping squeamishly. The General smiles and points to them with his bone cane. “These are the skinless sows. Watch what happens when I press this button.” He taps a tiny button with the cane and the floor releases, sending the beasts into the void with the force of a public restroom toilet. Rousing applause booms from speakers mounted on the fence.

“Thank you, thank you,” says the General, bowing.

The tiny pink woman touring with me pipes up, “Isn't it the truth, Herr General, that robots make our food? What do you say to that?”

“You bitch!” He sings, pounding the top of her bald head with his cane. “Where do you think you are? Afmenistan? Turkily? This is 'Merica! We invented robots.” Breathing deeply and adjusting his robes, he whistles. The entire facility rumbles upon the grand entrance of a metallic ball the size of a three-story Victorian. It saunters up next to us, and I feel compelled to hop the fence and join the beasts in their doom.

The General laughs. “This what happens when you roll all the robots into one! A Katamari! You guys want some dinner?”

Searching for Weird

I'd like to make this blog a central stop for weirdness, not just of my own, but for any weirdness that may interest a chap like me. If anyone is there reading this, suggest something weird for me to check out and enjoy, possibly even suggest to others or review for my blog. But I only want REAL weirdness. I don't want a picture of a turd on the American flag or a sketch from Robot Chicken (no offense, just isn't WEIRD). Leave a comment with a name of or a link to something weird in the visual arts, music, fiction, entertainment, history, science, conspiracy theory or even your abdominal cavity. If you have weird within you, feel free to expose it.